CALVIN AND HOBBES is a daily comic strip by American cartoonist Bill Watterson that was syndicated from November 18, 1985 to December 31, 1995. It follows the humorous antics of Calvin, a precocious, mischievous, and adventurous six-year-old boy, and Hobbes, his sardonic stuffed tiger. The pair is named after John Calvin, a 16th-century French Reformation theologian, and Thomas Hobbes, a 17th-century English political philosopher. At the height of its popularity, Calvin and Hobbes was featured in over 2,400 newspapers worldwide. As of January 2015, reruns of the strip still appear in more than 50 countries. By 2010 nearly 45 million copies of the 18 Calvin and Hobbes books have been sold.

Calvin and Hobbes is set in the contemporary United States in an unspecified suburban area, which is vaguely suggested to be in northeast Ohio. The strip depicts Calvin's flights of fancy and his friendship with Hobbes. It also examines Calvin's relationships with family and classmates. Hobbes' dual nature is a defining motif for the strip: to Calvin, Hobbes is a live anthropomorphic tiger; all the other characters see him as an inanimate stuffed toy. Though the series does not mention specific political figures or current events, it does explore broad issues like environmentalism, public education, philosophical quandaries, and the flaws of opinion polls.

HISTORY

Calvin and Hobbes was conceived when Bill Watterson, working in an advertising job he detested, began devoting his spare time to cartooning, his true love. He explored various strip ideas but all were rejected by the syndicates. United Feature Syndicate finally responded positively to one strip called Critturs, which featured a side character (the main character's little brother) who had a stuffed tiger. Told that these characters were the strongest, Watterson began a new strip centered on them. Though United Feature rejected the new strip, Universal Press Syndicate eventually took it.

The first strip was published on November 22, 1985, and the series quickly became a hit. Within a year of syndication, the strip was published in roughly 250 newspapers. Before long the strip was in wide circulation outside the United States. By April 5, 1987, Watterson and his work were featured in an article in The Los Angeles Times. Calvin and Hobbes twice earned Watterson the Reuben Award from the National Cartoonists Society in the Outstanding Cartoonist of the Year category, first in 1986 and again in 1988. He was nominated again in 1992. The Society awarded him the Humor Comic Strip Award for 1988. Calvin and Hobbes has also won several more awards.

CALVIN

Calvin, named after the 16th-century theologian John Calvin, is a six-year-old, whose last name is never mentioned in the strip. Despite his poor grades in school, Calvin demonstrates his intelligence through his sophisticated vocabulary and a philosophical mind:

He commonly wears his distinctive red-and-black striped shirt, black pants, and white-and-magenta sneakers. He also wears a jacket when going to school or when playing in the snow.[46] He is an enthusiastic reader of comic books and has a tendency to order items marketed in comic books or on boxes of his favorite cereal, Chocolate Frosted Sugar Bombs. Calvin also has a sensitive side as well. This is displayed, for example, when he finds a dying raccoon and tries to save it but fails. The scene is made even more poignant by Calvin asking Hobbes not to "go anywhere" while Hobbes hugs him and promises him he won't.

HOBBES

From Calvin's point of view, Hobbes is an anthropomorphic tiger, much larger than Calvin and full of independent attitudes and ideas. When the perspective shifts to any other character, readers again see merely a stuffed animal, usually seated at an off-kilter angle and blankly staring into space.

In more than one strip, Hobbes is shown being washed in a washing machine, a fact Calvin takes in stride and which Watterson has referred to as "one of the stranger blurrings of what Hobbes is."

Hobbes is named after the 17th-century philosopher Thomas Hobbes, who held what Watterson describes as "a dim view of human nature." Hobbes (the tiger) is much more rational and aware of consequences than Calvin, but seldom interferes with Calvin's troublemaking beyond a few oblique warnings. Hobbes is sarcastic when Calvin is being hypocritical about things he dislikes.

CALVIN'S PARENTS

Calvin's unnamed mother and father are typical middle-class parents. Like many other characters in the strip, they are relatively down-to-earth and their sensible attitudes serve as a foil for Calvin's outlandish behavior.

Watterson says some fans were angered by the way Calvin's parents thought of Calvin. This is shown by the fact that Calvin's father claimed that he wanted a dachshund instead of Calvin, and often tries to "deny" that Calvin is his biological son:

Calvin's parents are not above some outrageous behavior of their own. For example, Calvin asks for a cigarette and his mother gives him one to teach him a lesson. Calvin's father tells Calvin sarcastic lies when asked a straight question, and Calvin often believes them:

Watterson defends what Calvin's parents do, remarking that in the case of parenting a kid like Calvin, "I think they do a better job than I would." Calvin's father is overly concerned with "character building" activities in a number of strips, either in the things he makes Calvin do or in the masochistic eccentricities of his own lifestyle. For example, Calvin's father is shown coming home from an early morning run in the snow, which he follows with a bowl of plain oatmeal.

Calvin's father is a patent attorney (like Watterson's own father) and his mother is a stay-at-home mom. Both remain unnamed except as "Mom" and "Dad," or pet names such as "honey" and "dear" between themselves. Watterson says, "As far as the strip is concerned, they are important only as Calvin's mom and dad."

SUSIE DERKINS

Susie Derkins, the only important character with both a first and last name, is a classmate of Calvin's who lives on his street. Named for the pet beagle of Watterson's wife's family, she appeared early in the strip as a new student in Calvin's class. She is polite and studious, and likes to play house or host tea parties with her stuffed animals. However, she is also depicted playing imaginary games with Calvin in which she is a high-powered lawyer or politician and he is her househusband. Though both of them hate to admit it, Calvin and Susie have quite a bit in common. For example, Susie is shown on occasion with a stuffed bunny rabbit named "Mr. Bun." Susie also has a mischievous (and sometimes aggressive) streak, which can be seen when she subverts Calvin's attempts to cheat on school tests by feeding him incorrect answers, or clobbers Calvin when he attacks her with snowballs. Susie also regularly bests Calvin in confrontations such as their water balloon and snowball fights, employing guile or force. Hobbes often openly expresses romantic feelings for Susie, much to Calvin's disgust. Calvin starts a "club" (of which he and Hobbes are the only members) that he calls G.R.O.S.S. (Get Rid Of Slimy GirlS), and while holding "meetings" in Calvin's treehouse or in the "box of secrecy" in Calvin's room, they usually come up with some way to annoy or socially maim Susie, most of which backfire on them completely. In one instance, Calvin steals one of Susie's dolls for ransom, only to have Susie retaliate by nabbing Hobbes. Watterson admits that Calvin and Susie have a nascent crush on each other, and that Susie is inspired by the type of woman whom Watterson himself found attractive and eventually married.

STYLE AND INFLUENCES

The strip borrows several elements and themes from three major influences: Walt Kelly's Pogo, George Herriman's Krazy Kat, and Charles M. Schulz's Peanuts. Schulz and Kelly particularly influenced Watterson's outlook on comics during his formative years.

Notable elements of Watterson's artistic style are his characters' diverse and often exaggerated expressions (particularly those of Calvin), elaborate and bizarre backgrounds for Calvin's flights of imagination, expressions of motion, and frequent visual jokes and metaphors. In the later years of the strip, with more panel space available for his use, Watterson experimented more freely with different panel layouts, art styles, stories without dialogue, and greater use of whitespace. He also makes a point of not showing certain things explicitly: the "Noodle Incident" and the children's book Hamster Huey and the Gooey Kablooie are left to the reader's imagination, where Watterson was sure they would be "more outrageous" than he could portray.

Watterson's technique started with minimalist pencil sketches drawn with a light pencil (though the larger Sunday strips often required more elaborate work) on a piece of Bristol board, with his brand of choice being Strathmore because he felt it held the drawings better on the page as opposed to the cheaper brands (Watterson said he would use any cheap pad of Bristol board his local supply store had, but switched to Strathmore after he found himself growing more and more displeased with the results). He would then use a small sable brush and India ink to fill in the rest of the drawing, saying that he did not want to simply trace over his penciling and thus make the inking more spontaneous. He lettered dialogue with a Rapidograph fountain pen, and he used a crowquill pen for odds and ends. Mistakes were covered with various forms of correction fluid, including the type used on typewriters. Watterson was careful in his use of color, often spending a great deal of time in choosing the right colors to employ for the weekly Sunday strip; his technique was to cut the color tabs the syndicate sent him into individual squares, lay out the colors, and then paint a watercolor approximation of the strip on tracing paper over the Bristol board and then mark the strip accordingly before sending it on. When Calvin and Hobbes began there were 64 colors available for the Sunday strips. For the later Sunday strips Watterson had 125 colors as well as the ability to fade the colors into each other.

Art and Academia

Watterson used the strip to poke fun at the art world, principally through Calvin's unconventional creations of snowmen but also through other expressions of childhood art. When Miss Wormwood complains that he is wasting class time drawing impossible things (a Stegosaurus in a rocket ship, for example), Calvin proclaims himself "on the cutting edge of the avant-garde." He begins exploring the medium of snow when a warm day melts his snowman. His next sculpture "speaks to the horror of our own mortality, inviting the viewer to contemplate the evanescence of life." In later strips, Calvin's creative instincts diversify to include sidewalk drawings (or, as he terms them, examples of "suburban postmodernism").

Watterson also lampooned the academic world. In one example, Calvin writes a "revisionist autobiography," recruiting Hobbes to take pictures of him engaged in such stereotypically childish activities as playing sports, in order to make him seem better adjusted to his society. In another strip, he carefully crafts an "artist's statement," claiming that such essays convey more messages than artworks themselves ever do (Hobbes blandly notes, "You misspelled Weltanschauung"). He indulges in what Watterson calls "pop psychobabble" to justify his destructive rampages and shift blame to his parents, citing "toxic codependency." In one instance, he pens a book report based on the theory that the purpose of academic writing is to "inflate weak ideas, obscure poor reasoning, and inhibit clarity," entitled The Dynamics of Interbeing and Monological Imperatives in Dick and Jane: A Study in Psychic Transrelational Gender Modes. Displaying his creation to Hobbes, he remarks, "Academia, here I come!" Watterson explains that he adapted this jargon (and similar examples from several other strips) from an actual book of art criticism.